Alberti's S. Andrea in Mantua compared with vignola's Ges church in Research Paper

Albertis S. Andrea in Mantua compared with vignolas Ges church in Rome - interrogation Paper Examplethe ancient papistical architecture of using decorations and monumental pieces of work for aesthetic revalue while at the same time maintaining the grandeur, yet the same was not the case with Vignola (Fazio et. al., 24). Not simply did Vignola suppress the transepts, he shortened the naves in a bid to clear acoustics and sightlines. This would allow for easy visibility. Additionally, during preaching, the sermonizer would be clearly heard.The Gesu design was forward-looking since it was not so much exaggerated as the S. Andreas design. This is because the axes of the building were strongly emphasized. The elements were portrayed in three dimensions, especially on the west front. The Albertis fa fruit drink seems to founder been his routine. It could be traced to his earlier works such as the Maria Novella, only that he use the classical orders to replace geometry-based subdivisi ons (Ching et. al., 17). In the Gesu design, there are pilaster pairs that step from planes that project forward until on both sides of the entrance, engaged columns are used to support a pediment, which is triangular.The triangular pediment is fixed using a segmented pediment through support of flanking pilasters. The interior designs of both works were plain. Perhaps, this is due to the fact that then not so much decoration was accorded to the church (Fazio et. al., 76). Their designs were a crucial guide to future architects and engineers and can be seen in most churches today. The St. Andrea faade was the model adopted by many Roman churches.The distinctive features associated with the Classical Roman architecture kept changing over time. The purpose and forms of the buildings changed over time. The structures of the cities also later changed. Therefore, it can be argued that the faade of the designs provided a guide to later builders.Both the Gesu and S. Andrea faade have a sy mmetrical proportionality. They have a square appearance whose proportions are according to the module. The